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Open a larger version of the following image in a popup: Terry O'Neill, BRIGITTE BARDOT, 1968

Terry O'Neill

BRIGITTE BARDOT, 1968
Printed using the gelatin silver process — the same technique O'Neill used throughout his career, not a digital reproduction. This posthumous edition is authenticated with a printed signature and embossed O'Neill estate stamp, each print individually numbered by hand within a strictly limited edition of 50. A certificate of authenticity is included, documenting provenance for the collector's archive.
BB071
Edition of 50
16 x 20 inch
Terry O'Neill, BRIGITTE BARDOT, 1968
Sold
£ 2,250.00
20 x 24 inch
Terry O'Neill, BRIGITTE BARDOT, 1968
Sold
£ 3,000.00
30 x 40 inch
Terry O'Neill, BRIGITTE BARDOT, 1968
Sold
£ 5,000.00
48 x 72 inch
Terry O'Neill, BRIGITTE BARDOT, 1968
Sold
£ 12,000.00
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The photographs O'Neill made for Shalako were taken at a producer's lunch in Deauville in 1968, before filming began. It was the first meeting between Brigitte Bardot and Sean Connery...
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The photographs O'Neill made for Shalako were taken at a producer's lunch in Deauville in 1968, before filming began. It was the first meeting between Brigitte Bardot and Sean Connery - two of the defining icons of the decade sharing a frame for the first time.

 

O'Neill had photographed almost everyone by this point, but Bardot remained singular to him. "It was extraordinary," he said. "I found it impossible to take a bad shot of her - she was the most natural, beautiful subject." That quality is visible in every frame from Deauville: a woman entirely unbothered by the camera, which is precisely why the camera couldn't stop finding her.

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