drax.studio
Skip to main content
  • Menu
  • Artists
  • Exhibitions
  • Contact
  • Advisory Service
  • WORLDWIDE DELIVERY
  • Benham Park
Cart
0 items £
Checkout

Item added to cart

View cart & checkout
Continue shopping
Menu

Artworks

Open a larger version of the following image in a popup: Terry O'Neill, AUDREY SWIMS B&W (Lifetime signed) , 1966

Terry O'Neill

AUDREY SWIMS B&W (Lifetime signed) , 1966
Printed using the gelatin silver process — the same technique O'Neill used throughout his career, not a digital reproduction. This lifetime edition bears O'Neill's own hand signature, applied individually to each print. With O'Neill's passing in November 2019, no further signed editions can be produced. Each print is individually numbered and accompanied by a certificate of authenticity documenting full provenance.
AH092
Edition of 50
16 x 20 inch
Terry O'Neill, AUDREY SWIMS B&W (Lifetime signed) , 1966
Sold
£ 5,000.00
20 x 24 inch
Terry O'Neill, AUDREY SWIMS B&W (Lifetime signed) , 1966
Sold
£ 6,000.00
Currency:
Enquire
%3Cdiv%20class%3D%22artist%22%3ETerry%20O%27Neill%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EAUDREY%20SWIMS%20B%26W%20%28Lifetime%20signed%29%20%20%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E1966%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EPrinted%20using%20the%20gelatin%20silver%20process%20%E2%80%94%20the%20same%20technique%20O%27Neill%20used%20throughout%20his%20career%2C%20not%20a%20digital%20reproduction.%20This%20lifetime%20edition%20bears%20O%27Neill%27s%20own%20hand%20signature%2C%20applied%20individually%20to%20each%20print.%20With%20O%27Neill%27s%20passing%20in%20November%202019%2C%20no%20further%20signed%20editions%20can%20be%20produced.%20Each%20print%20is%20individually%20numbered%20and%20accompanied%20by%20a%20certificate%20of%20authenticity%20documenting%20full%20provenance.%3Cbr/%3E%0AAH092%3C/div%3E%3Cdiv%20class%3D%22edition_details%22%3EEdition%20of%2050%20%3C/div%3E
View on a Wall
Terry O'Neill spent the summer of 1966 on location with Audrey Hepburn as she filmed Two for the Road in St. Tropez and How to Steal a Million in Paris....
Read more

Terry O'Neill spent the summer of 1966 on location with Audrey Hepburn as she filmed Two for the Road in St. Tropez and How to Steal a Million in Paris. He was at the height of his powers; she was at the height of hers. The photographs he made during those months are among the most quietly beautiful of his career.

 

Where much of O'Neill's work crackled with energy and attitude, the Hepburn images have a different quality - unhurried, luminous, completely at ease. In one, a dove lands on her shoulder mid-shoot, entirely unplanned. She doesn't flinch. O'Neill fired the shutter. The result is one of those rare photographs that feels like it couldn't have been arranged.

 
Close full details
Previous
|
Next
224 
of  226
Manage cookies
Copyright © 2026 drax.studio
Site by Artlogic

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Reject non essential
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences